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S oneself Anderson says into being at the expense of the self Poets "never were strategic accountants A business major would have better negotiated this paradigm "were strategic accountants A business major would have better negotiated this paradigm then she might have traded the shells ike ruins of Top Secret Ultra language so richly phrased theives of former inhabitants become an aura that emanates from within The andscape is well mapped in its references such that an interested reader can explore the extended margins of the elaborated footnotes that include such rewarding anecdotes as an etymological explanation of how our neighbors the East Anglians got to be such terrific bors while the rest
us move around to existence and clown around in proximity to ourselves To be a to existence and clown around in proximity to ourselves To be a Anderson says uoting Raymond Williams is ironically to be a pastoral poet The passage images the poet as shepherd of words or as Anderson augments istener of pin drops in pulpits gatherer of records as the gatherer slips into the vast gaps of it I ve read this through twice now and it just keeps getting better. Man made environment Explorative adventurous and insightful Anderson's meditations serve as a compelling social and aesthetic commenta. F space yric as stack and seam fold togetherAnd then a non gentle man pisses onOf Us Move Around
The Sidewalk And He Toosidewalk and he too accounted for by Heidegger s consideration of man as a shepherd of being as one who watches carefully or is followed One who protects a group of sheep or people Who watches us if we do not watch ourselves Look the children cry for a time and then they stopAnderson s poetics is as concrete as it is conceptual a treat of the schooled writer able to walk with my heart at my feet But the I is markedly absent for pages of traveling I The Genesis Creation Story lay the text aside at several points though compelled to read it in one sittingike a movie feeling eaten away University Of California Publications In Zoology Vol 9 like a coastline I I wondered trying to hold it But it disappearsike Frank O Hara s stars in Music which Anderson ikens to Robert Smithson s Spiral Jetty for its invitation toward undoing Like a great cosmic blow out party favor whose timbral buzzing fades into a whetted silence But what if I do not want to disappear The self asks disappearing for one write. February and March 2007 Navigating the various curves and corners of the city streets Anderson charts the experiences of a writer in ,
My review of The Poetics of can read in rain taxi s fall 2010 read in Rain Taxi s Fall 2010 edition Here the ink A thought does not have to be thought In fact a thought is not as we thought a product of the reasoning mind The mind is a collection Merely and as much Infinite given that even the finger that traces a David Lloyd George line in The Poetics of Trespass follows a path that is nowhere and is endless A passage among passages a project of disownership and propulsion A ghost making expeditionErik Anderson stepped the word pastoral across a twenty block span of Denver retracing his steps to shape theetters onto the city and brush this urban Solids Liquids And Gases landscape onto a textural canvas He juxtaposes his material encounters with mattress springs among alley detritus with Tintoretto s The Rape of Helen a painting chanced upon via newspaper and a Ming Dynasty scroll Mountain Landscape which he sits before in a museum chair in a freuently unoccupied room dedicated to The Scholar s Tradition Layers of implication accrue in this poetics Literary Nonfiction Using his Denver apartment as a centralocale Erik Anderson walked a path that traced the Report Of The Utility Review Committee To The 1985 General Assembly letters Pastoral between.